gz-Bodypainting or First Expression Oil Painting by Clare

This is first expression oil paintings made by Clare. This originally oil paintings uploaded by walkinginthewoods

"Winterized" - Our Favourite Painting

I Think Tis painting was made with watercolor style. You'll recognize, of course, the now even more icy couple from Grant Wood's American Gothic at left. And at right, below, you can see La Soif (The Thirst) by William Adolphe Bouguereau, and at left, below, you'll find it's altered counterpart, I Triple Dog Dare Ya.

To see more watercolor painting collection, please click here watercolor painting

Famous Watercolor Painting - Beautiful Woman Was Sleeping

This painting maybe made with watercolor style, I think this artwork is including in the famous artistic paintings. I searched up famous paitings on Google Images, and found this really nice one called "Flaming June." The artist is Lord Frederick Leighton.

Arts of Painting - Exploring the Artist Identity

Art Paintings Process

The painting processes in this research endeavour to study the artist identity of the artist through the exploration of consciousness. The basic components of what; where, when; how and why they take place will be described in the following applications, which form a personal account.

These processes have been chosen instead of other media because of the quality of paint's immediate and fluid response. Despite a background in ceramics, art paintings is where my passion lies.

Processes
What the Art Paintings Will Comprise
In my exploration, six art paintings will be undertaken. These will be abstract art paintings and figurative paintings. I will use alternative surfaces. The paintings will include canvases stretched professionally with concrete underlay (thick black plastic).

The dimensions of each art painting will be uniform: 120 x 70x 5 cm. The media used will include oil paint, enamel, oil sticks, Black Japan stain, shellac, pastel, charcoal and ink. The primary artistic focus in this process will lie in the use of alternative materials in painting and in the use of alternative surfaces. Boundaries may be intentionally pushed through the use of construction materials to create aesthetics on surfaces not intended for this purpose.

When the Painting Will Take Place
The proposed plan involves painting every second Tuesday and every Thursday for a period of six weeks. This art painting will occur at night in two to three hourly timeslots.

Where They Will Take Place
The space will consist of a studio set-up in a lock-up garage. For the purposes of the research, the computer and reference materials will be set up on one side of a garage space, and the work bench with art painting materials on the other. I plan to be able to move quickly and freely between both.

How They Will Occur
The intention is to include a timetable of art painting processes, which will consist of certain times in the following months. Ideas of setting a limit on the painting time have been considered.

Dialogue with Art Paintings
The personal dialogue processes approached in this research combine elements of Heuristic research, but allow for an individual account.

These processes are based on the internal search mechanisms present within the creative-self processes The processes relate to a conversation or dialogue that takes place between the researcher, artist and a higher consciousness of either the self, an artwork or other object studied closely. Many artists and art therapists have utilized these methods in their research and inquiry.

Why the Dialogue Will be Undertaken in This Manner
The dialogue process is intended to provide a different level of consciousness. It is anticipated that I will connect with my art paintings through the processes of dialogue. The dialogue may inform me on levels unavailable to me experientially.

What the Dialogue Will Comprise
This process is intended to encompass a journey into art painting. The aim is to literally enter into the art paintings through passages of different levels of consciousness. In order to make the space available to connect with these other levels of consciousness, the following will be utilized: indwelling; a search of the self through thought; meditation and contemplation. The insights may come through hearing the words in my mind, intuition, or new concepts emerging from or into internal frames of reference.

Where the Dialogue Will Take Place
This process is an internal one, while the external and inter-objective realities in my surroundings may have bearing on the internal mechanisms. The proposed dialogue will occur in the studio space designated for writing this research. The set-up of the computer on one side and the art paintings on the other is intentionally designed towards easy access to writing when dialogue occurs.

When the Dialogue Will Take Place
The method of dialogue within this research will be approached using a lack of structured timetable or schedule. As I have not attempted this process before, I am unsure of whether it will be able to fit into a time-frame. I am unsure of whether I can summon dialogue at will; or whether it will emerge in an indiscriminate manner.

How the Dialogue Will Occur
This is largely unable to be determined at this point in time. There is a commitment to a total immersion in the processes of this inquiry and it is likely that the dialogue will naturally emerge from the art paintings through channels due to the immersion process. It is anticipated that the creation of the unique personal space for communication with my art paintings will reveal and allow for documentation of how the process occurs.

Reflection on Art Paintings
Why the Reflection Will be Undertaken in This Manner
The reflection process formulates the basis for the intimate connectivity of the processes of art paintings and dialogue. It forms the fabric from which the evaluation cloth is cut. The sacred witness will allow the space and time to measure the experience and to dwell on the emergence of new information.

The reflection process aims to draw the art paintings and dialogue processes together and provide the stand-back viewpoint, indispensable to making art paintings and primordial self- inquiry.

What the Reflection Will Comprise
The reflection process in this research will comprise transpersonal processes as a method of self-inquiry. It will evoke notions of the witness. These reflection processes will present a unique witness account of the experience of art painting, the dialogue experience and the overall experiences.

The observations of thoughts, emotions, dreams, dialogue and art painting processes provide the foundation from which to evaluate the personal interior experience.

Where the Reflection Will Take Place
The reflection is anticipated to take place within the transpersonal self -this being wherever the art paintings and dialogue processes are taking place. They may take place in other areas of life, such as times of driving, walking, meditating and working.

When the Reflection Will Take Place
Much like the whereabouts of the reflection processes, the time-frame of this process encompasses all other processes in this research. It is predictable that I will bear witness to my art paintings and my dialogue processes. The witness will be present when I make the connective leaps in consciousness and when the intellectual synapses jump into action. Thus, the internal observer will have to be on duty at all times, knitting the components of my processes together. These observations can then be evaluated into a unified and presentable critique.

How the Reflection Will Occur
The reflection processes aim to transcend the art paintings and dialogue states of consciousness. Reflection is anticipated to occur through the watchful gaze of the transpersonal witness. I will endeavour to consciously manifest the witness during times of art painting and dialogue. This will involve dis-identifying with the art paintings and dialogue processes.

Findings of the Exploration Into the Artist Identity
The basic components of why, what, where, when and how investigated in the art paintings and dialogue and reflection applications can be located in the art paintings themselves and in some of the text and explanation of each of the art paintings on the website.

Oil on Canvas Racing Car Painting Galleries

There are some Oil on Canvas Racing Car Painting Galleries that maybe painted by famous artist or letterman, look at this oil paintings

"Olivier's Twist"
Oliver Panis and the Toyata 2003 challenger showed shades of brillance at times and at other it was down right dismal, but it proved to be beautiful to look at. The future is bright for this 2nd year team. Limted Edition Print of original oil painting on canvas. Limited to 300 pieces. Each comes hand signed and numbered by artist.

“Marco”
“Marco” Werner / JJ Letho / Emanuele Pirro started 6th in the 2004 24 hours of Le Mans, but managed to move up to 3rd.
Limited to 368 pieces the number of laps completed in 2004 24hr of Le Mans. Each comes hand signed and numbered by artist.

“The Lion”
“The Lion” is my tribute to the fan favorite Nigel Mansell. Limited to 187 peices the number of F1 races he competed in. Limited Edition Print of original oil painting on canvas. Limited to 187 pieces. Each comes hand signed and numbered by artist .

"Jacques"
The 2005 Sauber C24 Chassis wasnt the best of show, but in the hands of Jacques it was fast. Limited Edition Print of original oil painting on canvas. Limited to 100 pieces. Each comes hand signed and numbered by artist .

DAVID LETTERMAN - Late Night Show Host Oil Painting

This is an oil paintings on canvas by letterman with title "DAVID LETTERMAN" Late night Show Host.
to see more oil paintings, click here oil paintings

Charity and Her Children - Nursing Mothers Painting

More Information:

Oil paintings - From the Catholic tradition of Mary suckling the Christ child, this painting interweaves the nursing mother with the attributes of fecund Artemis of Ephesus who is characterized by an entire torso of breasts.

The verdaccio (traditional green undertone used for) the Virgin’s complexion, displays the loss of carnation in her cheek under her burden. This metaphor serves those that have sacrificed their physical health to support their progeny. Strangely, those women who own or operate galleries have a particular affinity for this work.

Picasso - Father of Modern Art

Modern art, incorporates canvas art, sculpture, print, and all the other new forms of twentieth century art. Scholars and historians rarely agree, as to the exact point when modern art began. Therefore, the term generally refers to all art, produced in America and Europe, during the nineteen hundreds. In addition to a hand full of other countries, which were primarily influenced by the West. This was a time when Artists were introducing new materials, new techniques and new concepts.

It was the intention of those Artists to break free from the restraints of the 'establishment', and redefine the boundaries of art. Without doubt, one of the most important and innovative 'inventions' of twentieth century art was Cubism, and the concepts of abstraction. Pablo Picasso is considered to be, probably, the most important artist of the twentieth century. His work was highly influential, and he is regarded as the creator of Cubism.

Pablo Picasso was born in Malaga, mainland Spain. Pablo Picasso was a child prodigy, by the age of fourteen his technical skill was incredible. In 1895, his father became an art teacher at the Academy of Fine Art in La Coruña. Picasso was entered into the advanced classes quickly. He completed the entrance exam, which took most at least a month, in one day. Two years later, he began to study at the Madrid Academy. Picasso left soon after, dissatisfied, and returned home. Between 1900 and 1904, Picasso shifted between Paris and La Coruña. After four years of moving back and forth, Picasso finally made his home in Paris. This would be where he would live and work for most of his life.

From 1904, Picasso encountered many different art forms, showing great interest in the style of Henri Toulouse and African Art. Since his first visit to Paris, Picasso loved to paint the Parisian nightlife and café scenes, which generally, included a menagerie of circus performers and social outcasts. Some feel that Picasso was displaying empathy with the entertainers and outcasts he portrayed, like the Clown. The Clown is recognized inside the Big Ring, yet falls into obscurity, the second he removes his Clown face. Society pays the Clown to be entertained. Nobody is particularly interested in his real face, or feelings. Before Artists broke free of those Artistic restrictions, which had previously bound them, there was little difference between the Clown, and the Artist.

Towards the end of 1905, Picasso's work passed through many rapid changes in style. There was a notable withdraw from emotional content. The melancholy thoughts of the outcast, was replaced by reason. Picasso began to study early century sculpture from the Iberian peninsula. His fascination with Iberian sculpture reflected his increased interest in simplified, geometric forms. Picasso's had a preference for experimentation. He also had a keen interest in Art, which lay outside the realms of the establishment. By 1907 he had produced one of the most revolutionary oil paintings of the twentieth century; Les Demoiselles d'Avignon. The influence of both his native Iberian sculpture, and African Art is paramount in this work. The painting is greatly simplified, with oval forms, the faces and figures of this painting are incongruent. This piece was extremely adventurous for 1907.

The incongruities of Les Demoiselles d'Avignon proved too much for many of Picasso's contemporaries. Matisse is even believed to have accused Picasso of ridiculing the new, modern art movement. Curiously, today, many art historians and scholars regard this piece as the beginning of Cubism. The year of 1907 is also known to many as Picasso's African period. At first, Picasso rebuked the analogy of his work with African Art. However, later, he agreed that African Art had been greatly influential upon him, and his work. While some scholars believe that African Art was the primary catalyst for this rapid and drastic change in form and style, others believe it was Cézanne who provided this catalyst.

From 1907, until around 1917, Pablo Picasso and Georges Braque developed and experimented with their new art concept, dubbed by the critics as Cubism. Most art historians and scholars will usually split that development into two dynamic stages. The first stage is referred to as Analytical Cubism. This describes the method of dissecting three dimensional forms, depicting them as multiple geometric planes. Synthetic Cubism sought to achieve the opposite. Instead of dissecting the form, they would create it using geometric planes. Picasso worked much, throughout his life, with the human figure and still life. Even today, we continue to analyze and enjoy his work. Without doubt, he was one of the most influential and innovative artists, of twentieth century modern art.

Woman Face Expression Oil Painting

I think this is a nice one of Oil Painting, Woman Face Expression Oil Painting. An oil painting is an expression on canvas that can reflect many things, from real life to abstract, and it one of the greatest gift ideas. Painting in oil is an almost lost art medium in the burgeoning digital age. Contrary to popular belief, painting in oil does not require that the artist to be a professional.

Rather oil is a medium that is malleable, making it fun - even if it’s not always the easiest medium to use. To see more expression painting please click here - expression painting, and oil painting here oil paintings

Shades of Violet - Woman Expression Oil Painting

"Violet" Woman Expression Oil Painting by Pino. One of my beautiful oil paintings, I love the skin tones, and expression on the face. To see more oil paintings, please click here oil paintings

Fish For a Japanese Painting Art

Fish For a Japanese Painting Art

This fish painting belongs to another story: El pez que decidimos japonés, written in spanish by Aurelio Asiain.